Alexander Dinelaris

Means something to who? You had a career before the third comic book movie, before people began to forget who was inside the bird costume. You're doing a play based on a book that was written 60 years ago, for a thousand rich old white people whose only real concern is gonna be where they go to have their cake and coffee when it's over. And let's face it, Dad, it's not for the sake of art. It's because you want to feel relevant again. Well, there's a whole world out there where people fight to be relevant every day. And you act like it doesn't even exist! Things are happening in a place that you willfully ignore, a place that has already forgotten you. I mean, who the fuck are you? You hate bloggers. You make fun of Twitter. You don't even have a Facebook page. You're the one who doesn't exist. You're doing this because you're scared to death, like the rest of us, that you don't matter. And you know what? You're right. You don't. It's not important. You're not important. Get used to it.

Wow. You know... What has to happen in a person's life to become a critic anyway? What are you writing, another review? Huh? Is that any good? Is it? Is it bad? Did you even see this? Let me read it.

No, you won't call the police... let's read your fuckin' review. "Callow." Callow is a *label*. It's just... "Lackluster." That's just a labels. Margin... marginalia. Are you kidding me? Sounds like you need penicillin to clear that up. That's a label too. These are all just labels. You just label everything. That's so fuckin' lazy... You just... You're a lazy fucker. You're a lazy... You know what this is? You even know what that is? You don't, You know why? Because you can't see this thing if you don't have to label it. You mistake all those little noises in your head for true knowledge.

No, I'm not finished! There's nothing here about technique! There's nothing in here about structure! There's nothing in here about intentions! It's just a bunch of crappy opinions, backed up by even crappier comparisons... You write a couple of paragraphs and you know what? None of this cost you fuckin' anything! The Fuck! You risk nothing! Nothing! Nothing! Nothing! I'm a fucking actor!

This play cost me everything... So I tell you what, you take this fucking malicious, cowardly, shittyly written review and you shove that right the *fuck* up your wrinkly tight ass.

The last time I flew here from LA, George Clooney was sitting two seats in front of me. With those cuff links, and that… ridiculous chin. We ended up flying through this really bad storm. The plane started to rattle and shake, and everyone on board was crying, and praying. And I just sat there. Sat there thinking that when Sam opened that paper it was going to be Clooney's face on the front page. Not mine. Did you know that Farrah Fawcett died on the same day as Michael Jackson?

Yeah, yeah. Yeah, well, I mean, previews were pretty much a train-wreck. We can't seem to get through without a raging fire or a raging hard-on. I'm broke. I'm not sleeping like, you know, at all. And um, this play is kinda starting to feel like a major deformed version of myself that just keeps following me around, hitting me in the balls with a tiny little hammer. I'm sorry, what was the question?

Popularity is the slutty little cousin of prestige.

A man becomes a critic when he cannot be an artist, the same way that a man becomes an informer when he cannot be a soldier.

I'm drunk? Yes, I'm drunk! I'm supposed to be drunk! Why aren't you drunk? This is Carver. He left a piece of his liver on the table every time he wrote a fucking page. If I need to be drinking gin, who the fuck are you to touch my gin, man? Listen, you fucked with the period, you fucked with the plot so you could have the best lines, you leave me the fucking tools that I need! Oh, come on people, don't be so pathetic. Stop looking at the world through your cellphone screens. Have a real experience! Does anybody give a shit about truth other than me? I mean the set is fake, the bananas are fake, there's fucking nothing in this milk carton, your performance is fake. The only thing that is real on this stage is this chicken. So, I'm gonna work with the chicken.

You've been hanging around here trying to make yourself invisible behind this fragile little fuck-up routine but you can't. You're anything but invisible. You're big. You're kind of a great mess. It's like a candle burning at both ends, but it's beautiful. No amount of booze or weed or attitude is going to hide that.

Okay, just stay with me. "I'm the wrong person to ask," he says, but what is that, what is the intention in that? Is he fed up with the subject so he's changing it, is he deflecting guilt over the marriage? And here's the thing, you've got four lines after that that all say the same thing. "I didn't even know the man, I only heard his name mentioned in passing, I wouldn't know, you'd have to know the particulars..." The point is, you don't know the guy, we f - king get it. Make it work with one line: "I didn't even know the man." Right?

Riggan, your gun is ridiculous. I can see the red plug in the barrel, so you look like a kid with a plastic toy when you point it at me. I don't feel threatened at all. Get a better one. Have some self respect, please.