Paul Newman Monologues
Frank Galvin Monologues
You know, so much of the time we're just lost. We say, "Please, God, tell us what is right; tell us what is true." And there is no justice: the rich win, the poor are powerless. We become tired of hearing people lie. And after a time, we become dead… a little dead. We think of ourselves as victims… and we become victims. We become… we become weak. We doubt ourselves, we doubt our beliefs. We doubt our institutions. And we doubt the law. But today you are the law. You ARE the law. Not some book… not the lawyers… not the, a marble statue… or the trappings of the court. See those are just symbols of our desire to be just. They are… they are, in fact, a prayer: a fervent and a frightened prayer. In my religion, they say, "Act as if ye had faith… and faith will be given to you." IF… if we are to have faith in justice, we need only to believe in ourselves. And ACT with justice. See, I believe there is justice in our hearts.
That that poor girl put her trust into the... into the hands of two men who took her life. She's in a coma. Her life is gone. She has no home, no family. She's tied to a machine. She has no friends. And the people who should care for her - her doctors... and you and me - have been bought off to look the other way. We've been paid to look the other way. I came here to take your money. I brought snapshots to show you so I could get your money. I can't do it; I can't take it. 'Cause if I take the money I'm lost. I'll just be a... rich ambulance chaser. I can't do it. I can't take it.
So Pat says, he says, "They got this new bar… and you go inside and for half a buck you get a beer, a free lunch and they take you in the back room - they get you laid… Mike says, "Now wait a minute, wait a minute, wait a minute. Do you mean to say there's a new bar and you go inside and for a half a buck they give you a beer, a free lunch and they take you in the back room and they get you laid?" Pat says, "That's right." "Have you ever been in the bar?" And he says, "No, but me sister has."
You couldn't hack it as a lawyer. You were a bag man for the boys downtown and you still are, I know about you.
I'm an attorney on trial before the bar. Representing my client. MY client, do you understand? You open your mouth and you're losing my case for me.
No, no, you listen to me. All I wanted in this case is an even shake. You rushed me into court in five days… my star witness disappears, I can't get a continuance, and I don't give a damn. I'm going up there and I'm going to try it. Let the jury decide. They told me Sweeney he's a hard-ass, he's a defendant's judge. I don't care. I said, the hell with it. The hell with it. I'll take my chances he'll be fair.
And don't give me this shit, 'I was a lawyer, too.' 'Cause I know who you were. You couldn't hack it as a lawyer. You were Bag Man for the Boys and you still are. I know who you are.
Damn right I'm done. I'm going to ask for a mistrial. I'm going to request that you disqualify yourself from sitting on this case. I'm going to take a transcript to the State and ask that they impeach your ass!
The court doesn't exist to give them justice? The court exist to give them a *chance* at justice.
It's just a shame that happened to your husband, Mrs. Dee. I knew him vaguely at the Lodge. He was a wonderful man. It was a crime what happened to him. It was just a crime. If I can help - in any way.
The weak. The weak have got to have somebody to fight for them. Ain't that the truth? You want another drink?
You see, the jury wants to believe. I mean, the jury wants to believe. It is something to see. I got to go down there tomorrow and pick out twelve 'em. All of 'em, all of their lives, saying, "It's a sham. It's rigged. You can't fight City Hall." But, when they step into that jury box, I mean, you can just barely see it in their eyes, "Maybe. Maybe."
Luke Monologues
Anybody here? Hey, Old Man. You home tonight? Can You spare a minute. It's about time we had a little talk. I know I'm a pretty evil fellow... killed people in the war and got drunk... and chewed up municipal property and the like. I know I got no call to ask for much... but even so, You've got to admit You ain't dealt me no cards in a long time. It's beginning to look like You got things fixed so I can't never win out. Inside, outside, all of them... rules and regulations and bosses. You made me like I am. Now just where am I supposed to fit in? Old Man, I gotta tell You. I started out pretty strong and fast. But it's beginning to get to me. When does it end? What do You got in mind for me? What do I do now? Right. All right.
Are you still believin' in that big bearded Boss up there? You think he's watchin' us?
Dyin'? Boy, he can have this little life any time he wants to. Do ya hear that? Are ya hearin' it? Come on. You're welcome to it, ol' timer. Let me know you're up there. Come on. Love me, hate me, kill me, anything. Just let me know it.
John-boy, lemme tell you something. You know, them chains ain't medals. You get 'em for making mistakes. And you make a *bad* enough mistake, and then you gotta deal with the Man. And he is one rough old boy.
Small town, not much to do in the evenin'.
Oh come on. Stop beatin' it. Get out there yourself. Stop feedin' off me. Get out of here. I can't breathe. Give me some air.
I don't know. Well, things are just never the way they seem, Arletta, you know that. A man's just gotta go his own way.
Eddie Felson Monologues
Cause, ya see, twice, Sarah… once at Ames with Minnesota Fats and then again at Arthur's, in that cheap, crummy pool room, now why'd I do it, Sarah? Why'd I do it? I coulda beat that guy, coulda beat 'im cold, he never woulda known. But I just hadda show 'im. Just hadda show those creeps and those punks what the game is like when it's great, when it's REALLY great. You know, like anything can be great, anything can be great. I don't care, BRICKLAYING can be great, if a guy knows. If he knows what he's doing and why and if he can make it come off. When I'm goin', I mean, when I'm REALLY goin' I feel like a… like a jockey must feel. He's sittin' on his horse, he's got all that speed and that power underneath him… he's comin' into the stretch, the pressure's on 'im, and he KNOWS… just feels… when to let it go and how much. Cause he's got everything workin' for 'im: timing, touch. It's a great feeling, boy, it's a real great feeling when you're right and you KNOW you're right. It's like all of a sudden I got oil in my arm. The pool cue's part of me. You know, it's uh - pool cue, it's got nerves in it. It's a piece of wood, it's got nerves in it. Feel the roll of those balls, you don't have to look, you just KNOW. You make shots that nobody's ever made before. I can play that game the way… NOBODY'S ever played it before.
Maybe I'm not such a high-class piece of property right now. And a 25% slice of something big is better than a 100% slice of nothing.
We have a contract of depravity; all we have to do is pull a blind down.
I loved her, Bert. I traded her in on a pool game. But that wouldn't mean anything to you. Because who did you ever care about? Just win, win, you said, win, that's the important thing. You don't know what winnin' is, Bert. You're a loser. 'Cause you're dead inside, and you can't live unless you make everything else dead around ya.
You know, I got a hunch, fat man. I got a hunch it's me from here on in. One ball, corner pocket. I mean, that ever happen to you? You know, all of a sudden you feel like you can't miss? 'Cause I dreamed about this game, fat man. I dreamed about this game every night on the road. Five ball. You know, this is my table, man. I own it.
How should I play that one, Bert? Play it safe? That's the way you always told me to play it: safe... play the percentage. Well, here we go: fast and loose. One ball, corner pocket. Yeah, percentage players die broke, too, don't they, Bert?
Boy, you better, you tell your boys they better kill me, Bert. They better go all the way with me, 'cause if they just bust me up, I'll put all those pieces back together again, then so help me... So help me God, Bert, I'm gonna come back here and I'm gonna kill you.
You know, someday, Sarah, you're gonna settle down... you're gonna marry a college professor and you're gonna write a great book. Maybe about me. Huh? Fast Eddie Felson... hustler.
Boy, he is great! Jeez, that old fat man. Look at the way he moves: like a dancer... And those fingers, them chubby fingers. That stroke... it's like he's, uh, like he's playin' the violin or somethin'.
You can't see it, can you, Charlie? I mean, you've never been able to see it. I came after him. And I'm gonna get him. I'm goin' with him all the way. The pool game is not over until Minnesota Fats says it's over. Is it over, Fats?
The pool game is over when Fats says it's over... I came after him and I'm gonna get him. I'm going with him all the way.